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[N. 1 - Overture] | N
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[N. 2 - Air] | N
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[N. 3 - Overture] | N
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Scene the first |
Represents a gothic temple, being a place of heathen worship; the three Saxon gods, Woden, Thor, and Freya, placed on pedestals. Enter Oswald and Osmond. |
Q
<- Oswald, Osmond
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OSMOND |
'Tis time to hasten our mysterious rites;
because your army waits you.
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OSWALD |
(making three bows before the three images)
Thor, Freya, Woden, all ye Saxon powers,
hear, and revenge my father Hengist's death.
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OSMOND |
Father of gods and men, great Woden, hear:
mount thy hot courser, drive amidst thy foes;
lift high thy thund'ring arm, let every blow hear:
dash out a misbelieving Briton's brains.
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OSWALD |
Father of gods and men, great Woden,
give conquest to the Saxon race, and me.
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OSMOND |
Thor, Freya, Woden, hear, and spell your Saxons,
with sacred runic rhymes, from death in battle;
edge their bright swords, and blunt the Britons darts.
No more, great prince, for see my trusty friend,
who all the night has wing'd the dusky air.
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Grimbald, a fierce earthy spirit, erises. | <- Grimbald
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OSMOND |
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GRIMBALD |
I have play'd my part;
for I have steel'd the fools that are to die;
six fools, so prodigal of life and fool,
that for their country, they devote their lives
a sacrifice to mother Earth, and Woden.
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OSMOND |
'Tis well; but are we sure of victory?
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GRIMBALD |
Why ask'st thou me?
Inspect their intrails, draw from thence thy guess:
blood we must have, without it we are dumb.
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OSMOND |
Say, where's thy fellow-servant, Philidel?
Why comes not he?
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GRIMBALD |
For he's a puleing sprite:
why didst thou chuse a tender airy form,
unequal to the mighty work of mischief?
His make is flitting, soft, and yielding atoms;
he trembles at the yawning golph of hell,
nor dares approach the flame, lest he should singe
his gaudy silken wings.
He sighs when he should plunge a soul in sulphur,
as with compassion touch'd of foolish man.
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OSMOND |
What a half devil's he?
His errand was, to draw the low-land damps,
and noisom vapours from the foggy fens:
then, breathe the baleful stench, with all his force,
full on the faces of our christen'd foes.
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GRIMBALD |
Accordingly he drain'd those marshy grounds;
and bagg'd 'em in a blue pestiferous cloud;
which when he shou'd have blown, the frighted elf
espy'd the red-cross banners of their host;
and said he durst not add to his damnation.
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OSMOND |
I'll punish him at leisure.
Call in the victims to propitiate hell.
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GRIMBALD |
That's my kind master, I shall breakfast on 'em.
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| (exit Grimbald) | Grimbald ->
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OSWALD |
Ambitious fools we are,
and yet ambition is a godlike fault:
or rather, 'tis no fault in souls born great,
who dare extend their glory by their deeds.
Now Brittany prepare to change thy state,
and from this day begin thy Saxon date.
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Grimbald goes to the door, and re-enters with six Saxons in white, with swords in their hands, priests and singers. | <- Grimbald, Six Saxons, Priests, Aeolus, Honour, Venus
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| Sacrifice song. | |
[N. 4 - Woden, first to thee] | N
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| Recitative the first. | |
AEOLUS |
Woden, first to thee,
a milk-white steed, in battle won,
we have sacrific'd.
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CHORUS |
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| Recitative the second. | |
HONOUR |
Let our next oblation be
to Thor, thy thundering son,
of such another.
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CHORUS |
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| Recitative the third. | |
AEOLUS |
A third (of Friezeland breed was he)
to Woden's wife, and to Thor's mother:
and now we have aton'd all three.
We have sacrific'd.
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CHORUS |
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[N. 5 - The white horse neigh'd aloud] | N
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| Recitative the fourth. | |
HONOUR |
The white horse neigh'd aloud.
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CHORUS |
To Woden thanks we render;
to Woden we have vow'd;
to Woden our defender.
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[N. 6 - The lot is cast, and Tanfan pleas'd] | N
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| Recitative the fifth. | |
VENUS |
The lot is cast, and Tanfan pleas'd:
of mortal cares you shall be eas'd.
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[N. 7 - Brave soul to be renown'd in storry] | N
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CHORUS
Brave souls to be renown'd in story,
honour prizing,
death despising,
fame acquiring,
by expiring,
die and reap the fruit of glory.
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[N. 8 - I call ye all to Woden's hall] | N
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| Air the second. | |
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HONOUR
I call ye all
to Woden's hall;
your temples round,
with ivy bound,
in goblets crown'd,
and plenteous bowls of burnish'd gold.
Where you shall laugh,
and dance, and quaff
the juice, that makes the Britons bold.
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CHORUS |
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All retire, and the scene closes upon them. | Oswald, Osmond, Grimbald, Six Saxons, Priests, Aeolus, Honour, Venus ->
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Scene the second |
A landskip. Enter Aurelius, Albanact, and Conon. |
Q
<- Aurelius, Albanact, Conon
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CONON |
Then this is the deciding day, to fix
Great-Britain's scepter in great Arthur's hand.
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AURELIUS |
Or put it in the bold invader's gripe.
Arthur and Oswald, and their different fates,
are weighing now within the scales of heaven.
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CONON |
In ten set battles have we driven back
these heathen Saxons, and regain'd our earth.
As earth recovers from an ebbing tide
her half-drown'd face, and lifts it o'er the waves,
from Severn's bank, e'en to this barren down
our foremost men have press'd their fainty rear,
and not one Saxon face has been beheld;
but all their backs and shoulders have been stuck
with foul dishonest wounds; now here, indeed,
because they have no farther ground, they stand.
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AURELIUS |
Well have we chose a happy day for fight;
for every man, in course of time, has found
some days are lucky, some unfortunate.
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ALBANACT |
But why this day more lucky than the rest?
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CONON |
Because this day
is sacred to the patron of our isle;
a christian, and a soldier's annual feast.
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ALBANACT |
Oh, now I understand you. This is saint George of Cappadocia's day. Well, it may be so, but faith I was ignorant; we soldiers seldom examine the rubrick; and now and then a saint may happen to slip by us: but if he be a gentleman saint, he will forgive us.
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CONON |
Oswald undoubtedly will fight it bravely.
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AURELIUS |
And it behoves him well, 'tis his last stake. But what manner of man is this Oswald? Have ye ever seen him?
(to Albanact)
Ne'er but once; and that was to my cost too; I follow'd him too close, and, to say truth, somewhat uncivilly, upon a rout: but he turned upon me, as quick and as round, as a chaff'd boar; and gave me two licks a-cross the face, to put me in mind of my christianity.
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CONON |
I know him well; he's free and open-hearted.
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AURELIUS |
His countries character: that speaks a German.
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CONON |
Revengeful, rugged, violently brave;
and once resolv'd, is never to be mov'd.
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ALBANACT |
Yes, he's a valiant dog; pox on him.
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CONON |
This was the character he then maintain'd,
when in my court he sought my daughter's love;
my fair, blind Emmeline.
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ALBANACT |
I cannot blame him for courting the heiress of Cornwall: all heiresses are beautiful; and as blind as she is, he would have had no blind bargain of her.
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AURELIUS |
For that defeat in love he rais'd this war.
For royal Arthur reign'd within her heart,
ere Oswald mov'd the suit.
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CONON |
Ay, now Aurelius, you have nam'd a man;
one, whom besides the homage that I owe,
as Cornwall's duke, to his imperial crown,
I wou'd have chosen out from all mankind,
to be my sovereign lord.
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AURELIUS |
His worth divides him from the croud of kings.
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CONON |
Arthur is all that's excellent in Oswald;
and void of all his faults: in battle brave,
but still serene in all the stormy war,
like heaven above the clouds; and after fight,
as merciful and kind to vanquish'd foes,
as a forgiving god. But see, he's here,
and praise is dumb before him.
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Enter king Arthur, reading a letter, with attendants. | <- Arthur, Attendants
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ARTHUR |
(reading)
"Go on, auspicious prince, the stars are kind.
Unfold thy banners to the willing wind;
while I, with airy legions, help thy arms;
confronting art with art, and charms with charms."
(to Conon)
So Merlin writes; nor can we doubt th' event,
with heaven and you, our friends. Oh noble Conon,
you taught my tender hands the trade of war:
and now again you helm your hoary head,
and under double weight of age and arms,
assert your country's freedom and my crown.
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CONON |
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ARTHUR |
Most happy in that name!
Your Emmeline, to Oswald's vows refus'd,
you made my plighted bride:
your charming daughter, who like love, born blind,
un-aiming hits, with surest archery,
and innocently kills.
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CONON |
Remember, son,
you are a general; other wars require you,
for see the Saxon gross begins to move.
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ARTHUR |
Their infantry embattel'd, square and close,
march firmly on, to fill the middle space:
cover'd by their advancing cavalry.
By heav'n 'tis beauteous horror!
The noble Oswald has provok'd my envy.
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Enter Emmeline, led by Matilda. | <- Emmeline, Matilda
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ARTHUR |
Ha! now my beauteous Emmeline appears,
a new, but oh, a softer flame inspires me:
even rage and vengeance slumber at her sight.
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CONON |
Haste your farewell; I'll chear my troops, and wait ye.
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| (exit Conon) | Conon ->
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EMMELINE |
O father, father, I am sure you're here;
because I see your voice.
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ARTHUR |
No, thou mistak'st thy hearing for thy sight:
he's gone, my Emmeline;
and I but stay to gaze on those fair eyes,
which cannot view the conquest they have made.
Oh star-like night, dark only to thyself,
but full of glory, as those lamps of heaven
that see not, when they shine.
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EMMELINE |
What is this heav'n, and stars, and night, and day,
to which you thus compare my eyes and me?
I understand you, when you say you love:
for, when my father clasps my hand in his,
that's cold, and I can feel it hard and wrinkled;
but when you grasp it, then I sigh, and pant,
and something presses to my heart.
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ARTHUR |
Oh artless love! where the soul moves the tongue.
And only nature speaks what nature thinks!
Had she but eyes!
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EMMELINE |
Just now you said I had.
I see 'hem, I have two.
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ARTHUR |
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EMMELINE |
I'm sure they hear you then:
what can your eyes do more?
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ARTHUR |
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EMMELINE |
Do not I see? you have a face, like mine.
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ARTHUR |
It is not sight, but touching with your hands.
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EMMELINE |
Then 'tis my hand that sees, and that's all one:
for is not seeing, touching with your eyes?
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ARTHUR |
No, for I see at distance, where I touch not.
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EMMELINE |
If you can see so far, and yet not touch,
I fear you see my naked legs and feet
quite through my clothes; pray do not see so well.
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ARTHUR |
Fear not, sweet innocence;
I view the lovely features of your face;
your lips carnation, your dark-shaded eye-brows,
black eyes, and snow-white forehead; all the colours
that make your beauty, and produce my love.
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EMMELINE |
Nay, then, you do not love on equal terms:
I love you dearly, without all these helps:
I cannot see your lip's carnation,
your shaded eye-brows, nor your milk-white eyes.
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ARTHUR |
Alas 'tis vain t' instruct your innocence.
You have no notion of light or colours
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Trumpet sounds within. | |
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EMMELINE |
Why, is not that a trumpet?
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ARTHUR |
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EMMELINE |
I know it.
And I can-tell you how the sound on't looks;
it looks as if it had an angry fighting face.
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ARTHUR |
'Tis now indeed a sharp unpleasant sound,
because it calls me hence, from her I love,
to meet ten thousand foes.
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EMMELINE |
How does so many men e'er come to meet?
This devil trumpet vexes 'em, and then
they feel about for one another's faces;
and so they meet, and kill.
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ARTHUR |
I'll tell ye all, when we have gain'd the field;
one kiss of your fair hand, the pledge of conquest.
And so short a farewel.
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| (kisses her hand, and exit with Aurelius, Albanact and attendants) | Arthur, Aurelius, Albanact, Attendants ->
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EMMELINE |
My heart and vows go with him to the fight;
may every foe be that, which they call blind,
and none of all their swords have eyes to find him.
But lead me nearer to the trumpet's face;
for that brave sound upholds my fainting heart;
and while I hear, methinks I fight my part.
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| (exit led by Matilda) | Emmeline, Matilda ->
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Scene the third |
A camp, drums, trumpets, and military shouts. |
Q
Drums, Trumpets, Honour
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[N. 9 - Military symphony] | N
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[N. 10 - Come if you dare, our trumpets sound] | N
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Martial song. | |
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HONOUR
Come if you dare, our trumpets sound;
come if you dare, the foes rebound:
we come, we come, we come, we come,
says the double, double, double beat of
the thund'ring drum.
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(♦)
(♦)
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CHORUS |
Come if you dare, our trumpets sound
etc.
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HONOUR
Now they charge on amain,
now they rally again:
the gods from above the mad labour behold,
and pity mankind that will perish for gold.
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CHORUS |
Now they charge on amain
etc.
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HONOUR
The fainting Saxons quit their ground,
their trumpet languish in their sound,
they fly, they fly, they fly, they fly,
"Victoria", the bold Britons cry.
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CHORUS |
The fainting Saxons quit their ground
etc.
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HONOUR
Now the victory's won,
to the plunder we run,
we return to our lasses like fortunate traders,
triumphant with spoils of the vainquishe'd invaders.
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CHORUS |
Now the victory's won
etc.
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| (exeunt drums and trumpets, a march) | Drums, Trumpets, Honour ->
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End of the first act. | |
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