Act the first

 
[N. 1 - Overture]

 N 

 
[N. 2 - Air]

 N 

 
[N. 3 - Overture]

 N 

 

Scene the first

Represents a gothic temple, being a place of heathen worship; the three Saxon gods, Woden, Thor, and Freya, placed on pedestals.
Enter Oswald and Osmond.

 Q 

<- Oswald, Osmond

 

OSMOND

'Tis time to hasten our mysterious rites;  

because your army waits you.

OSWALD

(making three bows before the three images)

Thor, Freya, Woden, all ye Saxon powers,

hear, and revenge my father Hengist's death.

OSMOND

Father of gods and men, great Woden, hear:

mount thy hot courser, drive amidst thy foes;

lift high thy thund'ring arm, let every blow hear:

dash out a misbelieving Briton's brains.

OSWALD

Father of gods and men, great Woden,

give conquest to the Saxon race, and me.

OSMOND

Thor, Freya, Woden, hear, and spell your Saxons,

with sacred runic rhymes, from death in battle;

edge their bright swords, and blunt the Britons darts.

No more, great prince, for see my trusty friend,

who all the night has wing'd the dusky air.

 
Grimbald, a fierce earthy spirit, erises.

<- Grimbald

 

OSMOND

What news, my Grimbald?  

GRIMBALD

I have play'd my part;

for I have steel'd the fools that are to die;

six fools, so prodigal of life and fool,

that for their country, they devote their lives

a sacrifice to mother Earth, and Woden.

OSMOND

'Tis well; but are we sure of victory?

GRIMBALD

Why ask'st thou me?

Inspect their intrails, draw from thence thy guess:

blood we must have, without it we are dumb.

OSMOND

Say, where's thy fellow-servant, Philidel?

Why comes not he?

GRIMBALD

For he's a puleing sprite:

why didst thou chuse a tender airy form,

unequal to the mighty work of mischief?

His make is flitting, soft, and yielding atoms;

he trembles at the yawning golph of hell,

nor dares approach the flame, lest he should singe

his gaudy silken wings.

He sighs when he should plunge a soul in sulphur,

as with compassion touch'd of foolish man.

OSMOND

What a half devil's he?

His errand was, to draw the low-land damps,

and noisom vapours from the foggy fens:

then, breathe the baleful stench, with all his force,

full on the faces of our christen'd foes.

GRIMBALD

Accordingly he drain'd those marshy grounds;

and bagg'd 'em in a blue pestiferous cloud;

which when he shou'd have blown, the frighted elf

espy'd the red-cross banners of their host;

and said he durst not add to his damnation.

OSMOND

I'll punish him at leisure.

Call in the victims to propitiate hell.

GRIMBALD

That's my kind master, I shall breakfast on 'em.

(exit Grimbald)

Grimbald ->

 

OSWALD

Ambitious fools we are,  

and yet ambition is a godlike fault:

or rather, 'tis no fault in souls born great,

who dare extend their glory by their deeds.

Now Brittany prepare to change thy state,

and from this day begin thy Saxon date.

 
Grimbald goes to the door, and re-enters with six Saxons in white, with swords in their hands, priests and singers.

<- Grimbald, Six Saxons, Priests, Aeolus, Honour, Venus

 
Sacrifice song.
[N. 4 - Woden, first to thee]

 N 

Recitative the first.

AEOLUS

Woden, first to thee,    

a milk-white steed, in battle won,

we have sacrific'd.

S

CHORUS

We have sacrific'd.

 
Recitative the second.

HONOUR

Let our next oblation be

to Thor, thy thundering son,

of such another.

CHORUS

We have sacrific'd.

 
Recitative the third.

AEOLUS

A third (of Friezeland breed was he)

to Woden's wife, and to Thor's mother:

and now we have aton'd all three.

We have sacrific'd.

CHORUS

We have sacrific'd.

 
[N. 5 - The white horse neigh'd aloud]

 N 

 
Recitative the fourth.

HONOUR

The white horse neigh'd aloud.  

CHORUS

To Woden thanks we render;

to Woden we have vow'd;

to Woden our defender.

 
[N. 6 - The lot is cast, and Tanfan pleas'd]

 N 

 
Recitative the fifth.

VENUS

The lot is cast, and Tanfan pleas'd:  

of mortal cares you shall be eas'd.

 
[N. 7 - Brave soul to be renown'd in storry]

 N 

 

CHORUS

Brave souls to be renown'd in story,  

honour prizing,

death despising,

fame acquiring,

by expiring,

die and reap the fruit of glory.

 
[N. 8 - I call ye all to Woden's hall]

 N 

 
Air the second.

HONOUR

I call ye all  

to Woden's hall;

your temples round,

with ivy bound,

in goblets crown'd,

and plenteous bowls of burnish'd gold.

Where you shall laugh,

and dance, and quaff

the juice, that makes the Britons bold.

 

CHORUS

Brave souls etc.

 
All retire, and the scene closes upon them.

Oswald, Osmond, Grimbald, Six Saxons, Priests, Aeolus, Honour, Venus ->

 
 
 

Scene the second

A landskip.
Enter Aurelius, Albanact, and Conon.

 Q 

<- Aurelius, Albanact, Conon

 

CONON

Then this is the deciding day, to fix  

Great-Britain's scepter in great Arthur's hand.

AURELIUS

Or put it in the bold invader's gripe.

Arthur and Oswald, and their different fates,

are weighing now within the scales of heaven.

CONON

In ten set battles have we driven back

these heathen Saxons, and regain'd our earth.

As earth recovers from an ebbing tide

her half-drown'd face, and lifts it o'er the waves,

from Severn's bank, e'en to this barren down

our foremost men have press'd their fainty rear,

and not one Saxon face has been beheld;

but all their backs and shoulders have been stuck

with foul dishonest wounds; now here, indeed,

because they have no farther ground, they stand.

AURELIUS

Well have we chose a happy day for fight;

for every man, in course of time, has found

some days are lucky, some unfortunate.

ALBANACT

But why this day more lucky than the rest?

CONON

Because this day

is sacred to the patron of our isle;

a christian, and a soldier's annual feast.

ALBANACT

Oh, now I understand you. This is saint George of Cappadocia's day. Well, it may be so, but faith I was ignorant; we soldiers seldom examine the rubrick; and now and then a saint may happen to slip by us: but if he be a gentleman saint, he will forgive us.

CONON

Oswald undoubtedly will fight it bravely.

AURELIUS

And it behoves him well, 'tis his last stake. But what manner of man is this Oswald? Have ye ever seen him?

(to Albanact)

Ne'er but once; and that was to my cost too; I follow'd him too close, and, to say truth, somewhat uncivilly, upon a rout: but he turned upon me, as quick and as round, as a chaff'd boar; and gave me two licks a-cross the face, to put me in mind of my christianity.

CONON

I know him well; he's free and open-hearted.

AURELIUS

His countries character: that speaks a German.

CONON

Revengeful, rugged, violently brave;

and once resolv'd, is never to be mov'd.

ALBANACT

Yes, he's a valiant dog; pox on him.

CONON

This was the character he then maintain'd,

when in my court he sought my daughter's love;

my fair, blind Emmeline.

ALBANACT

I cannot blame him for courting the heiress of Cornwall: all heiresses are beautiful; and as blind as she is, he would have had no blind bargain of her.

AURELIUS

For that defeat in love he rais'd this war.

For royal Arthur reign'd within her heart,

ere Oswald mov'd the suit.

CONON

Ay, now Aurelius, you have nam'd a man;

one, whom besides the homage that I owe,

as Cornwall's duke, to his imperial crown,

I wou'd have chosen out from all mankind,

to be my sovereign lord.

AURELIUS

His worth divides him from the croud of kings.

CONON

Arthur is all that's excellent in Oswald;

and void of all his faults: in battle brave,

but still serene in all the stormy war,

like heaven above the clouds; and after fight,

as merciful and kind to vanquish'd foes,

as a forgiving god. But see, he's here,

and praise is dumb before him.

 
Enter king Arthur, reading a letter, with attendants.

<- Arthur, Attendants

 

ARTHUR

(reading)  

"Go on, auspicious prince, the stars are kind.

Unfold thy banners to the willing wind;

while I, with airy legions, help thy arms;

confronting art with art, and charms with charms."

(to Conon)

So Merlin writes; nor can we doubt th' event,

with heaven and you, our friends. Oh noble Conon,

you taught my tender hands the trade of war:

and now again you helm your hoary head,

and under double weight of age and arms,

assert your country's freedom and my crown.

CONON

No more, my son.

ARTHUR

Most happy in that name!

Your Emmeline, to Oswald's vows refus'd,

you made my plighted bride:

your charming daughter, who like love, born blind,

un-aiming hits, with surest archery,

and innocently kills.

CONON

Remember, son,

you are a general; other wars require you,

for see the Saxon gross begins to move.

ARTHUR

Their infantry embattel'd, square and close,

march firmly on, to fill the middle space:

cover'd by their advancing cavalry.

By heav'n 'tis beauteous horror!

The noble Oswald has provok'd my envy.

 
Enter Emmeline, led by Matilda.

<- Emmeline, Matilda

 

ARTHUR

Ha! now my beauteous Emmeline appears,  

a new, but oh, a softer flame inspires me:

even rage and vengeance slumber at her sight.

CONON

Haste your farewell; I'll chear my troops, and wait ye.

(exit Conon)

Conon ->

 

EMMELINE

O father, father, I am sure you're here;  

because I see your voice.

ARTHUR

No, thou mistak'st thy hearing for thy sight:

he's gone, my Emmeline;

and I but stay to gaze on those fair eyes,

which cannot view the conquest they have made.

Oh star-like night, dark only to thyself,

but full of glory, as those lamps of heaven

that see not, when they shine.

EMMELINE

What is this heav'n, and stars, and night, and day,

to which you thus compare my eyes and me?

I understand you, when you say you love:

for, when my father clasps my hand in his,

that's cold, and I can feel it hard and wrinkled;

but when you grasp it, then I sigh, and pant,

and something presses to my heart.

ARTHUR

Oh artless love! where the soul moves the tongue.

And only nature speaks what nature thinks!

Had she but eyes!

EMMELINE

Just now you said I had.

I see 'hem, I have two.

ARTHUR

But neither see.

EMMELINE

I'm sure they hear you then:

what can your eyes do more?

ARTHUR

They view your beauties.

EMMELINE

Do not I see? you have a face, like mine.

ARTHUR

It is not sight, but touching with your hands.

EMMELINE

Then 'tis my hand that sees, and that's all one:

for is not seeing, touching with your eyes?

ARTHUR

No, for I see at distance, where I touch not.

EMMELINE

If you can see so far, and yet not touch,

I fear you see my naked legs and feet

quite through my clothes; pray do not see so well.

ARTHUR

Fear not, sweet innocence;

I view the lovely features of your face;

your lips carnation, your dark-shaded eye-brows,

black eyes, and snow-white forehead; all the colours

that make your beauty, and produce my love.

EMMELINE

Nay, then, you do not love on equal terms:

I love you dearly, without all these helps:

I cannot see your lip's carnation,

your shaded eye-brows, nor your milk-white eyes.

ARTHUR

Alas 'tis vain t' instruct your innocence.

You have no notion of light or colours

 
Trumpet sounds within.
 

EMMELINE

Why, is not that a trumpet?  

ARTHUR

Yes.

EMMELINE

I know it.

And I can-tell you how the sound on't looks;

it looks as if it had an angry fighting face.

ARTHUR

'Tis now indeed a sharp unpleasant sound,

because it calls me hence, from her I love,

to meet ten thousand foes.

EMMELINE

How does so many men e'er come to meet?

This devil trumpet vexes 'em, and then

they feel about for one another's faces;

and so they meet, and kill.

ARTHUR

I'll tell ye all, when we have gain'd the field;

one kiss of your fair hand, the pledge of conquest.

And so short a farewel.

(kisses her hand, and exit with Aurelius, Albanact and attendants)

Arthur, Aurelius, Albanact, Attendants ->

 

EMMELINE

My heart and vows go with him to the fight;  

may every foe be that, which they call blind,

and none of all their swords have eyes to find him.

But lead me nearer to the trumpet's face;

for that brave sound upholds my fainting heart;

and while I hear, methinks I fight my part.

(exit led by Matilda)

Emmeline, Matilda ->

 
 

Scene the third

A camp, drums, trumpets, and military shouts.

 Q 

Drums, Trumpets, Honour

 
[N. 9 - Military symphony]

 N 

 
[N. 10 - Come if you dare, our trumpets sound]

 N 

 
Martial song.
 

HONOUR

Come if you dare, our trumpets sound;    

come if you dare, the foes rebound:

we come, we come, we come, we come,

says the double, double, double beat of

the thund'ring drum.

S

Sfondo schermo () ()

 

CHORUS

Come if you dare, our trumpets sound

etc.

 

HONOUR

Now they charge on amain,

now they rally again:

the gods from above the mad labour behold,

and pity mankind that will perish for gold.

 

CHORUS

Now they charge on amain

etc.

 

HONOUR

The fainting Saxons quit their ground,

their trumpet languish in their sound,

they fly, they fly, they fly, they fly,

"Victoria", the bold Britons cry.

 

CHORUS

The fainting Saxons quit their ground

etc.

 

HONOUR

Now the victory's won,

to the plunder we run,

we return to our lasses like fortunate traders,

triumphant with spoils of the vainquishe'd invaders.

 

CHORUS

Now the victory's won

etc.

 
(exeunt drums and trumpets, a march)

Drums, Trumpets, Honour ->

 
End of the first act.
 

The end (Act the first)

Act the first Act the second Act the third Act the fourth Act the fifth

[N. 1 - Overture]

[N. 2 - Air]

[N. 3 - Overture]

A gothic temple, being a place of heathen worship; the three Saxon gods, Woden, Thor, and Freya, placed on pedestals.

<- Oswald, Osmond

'Tis time to hasten our mysterious rites

(Grimbald, a fierce earthy spirit, erises)

Oswald, Osmond
<- Grimbald

What news, my Grimbald?

Oswald, Osmond
Grimbald ->

Ambitious fools we are

Oswald, Osmond
<- Grimbald, Six Saxons, Priests, Aeolus, Honour, Venus

[N. 4 - Woden, first to thee]

Woden, first to thee

[N. 5 - The white horse neigh'd aloud]

The white horse neigh'd aloud

[N. 6 - The lot is cast, and Tanfan pleas'd]

The lot is cast, and Tanfan pleas'd

[N. 7 - Brave soul to be renown'd in storry]

[N. 8 - I call ye all to Woden's hall]

Honour, Chorus
I call ye all
Oswald, Osmond, Grimbald, Six Saxons, Priests, Aeolus, Honour, Venus ->

A landskip.

<- Aurelius, Albanact, Conon

Then this is the deciding day, to fix

Aurelius, Albanact, Conon
<- Arthur, Attendants

Go on, auspicious prince, the stars are kind

Aurelius, Albanact, Conon, Arthur, Attendants
<- Emmeline, Matilda

Ha! now my beauteous Emmeline appears

Aurelius, Albanact, Arthur, Attendants, Emmeline, Matilda
Conon ->

O father, father, I am sure you're here

(Trumpet sounds within.)

Why, is not that a trumpet?

Emmeline, Matilda
Arthur, Aurelius, Albanact, Attendants ->

My heart and vows go with him to the fight

Emmeline, Matilda ->

A camp, drums, trumpets, and military shouts.

Drums, Trumpets, Honour
 

[N. 9 - Military symphony]

[N. 10 - Come if you dare, our trumpets sound]

Drums, Trumpets, Honour ->
 
Scene the first Scene the second Scene the third
A gothic temple, being a place of heathen worship; the three Saxon gods, Woden, Thor, and Freya, placed on... A landskip. A camp, drums, trumpets, and military shouts. A rural prospect. A wood. A camp and Emmeline's pavilion, with a bank. A camp at a distance. Rocks and water. A deep wood. A stormy wintry country. A grove. A wood, with a large oak in the front. A camp. The scene discovers the British ocean in a storm.
[N. 1 - Overture] [N. 2 - Air] [N. 3 - Overture] [N. 4 - Woden, first to thee] [N. 5 - The white horse neigh'd aloud] [N. 6 - The lot is cast, and Tanfan pleas'd] [N. 7 - Brave soul to be renown'd in storry] [N. 8 - I call ye all to Woden's hall] [N. 9 - Military symphony] [N. 10 - Come if you dare, our trumpets sound] [N. 11 - Introduction] [N. 12 - Symphony] [N. 13 - Hiter this way, this way bend] [N. 14 - Let not a moon-born elf mislead ye] [N. 15 - Hither this way] [N. 16 - Come follow, follow, follow me] [N. 17 - How blest are shepherds, how happy their lasses] [N. 18 - Shepherds, shepherds, leave decoying] [N. 19 - Horpipe] [N. 20 - Come, shepherds, lead up a lively measure] [N. 21 - Second act tune: Air] [N. 22 - We must work, wee must haste] [N. 23 - Thus, thus I infuse] [N. 24 - Oh sight, the mother of desires] [N. 25 - Prelude] [N. 26 - What ho, thou Genius of the clime, what ho!] [N. 27 - What power art thou, who from below] [N. 28 - Thou doating fool, forbear, forbear] [N. 29 - Great Love, I know thee now] [N. 30 - No part of my dominion shall be waste] [N. 31 - Prelude] [N. 32 - See, see, we assemble] [N. 33 - 'Tis I, 'tis I, 'tis I that have warm'd ye] [N. 34 - Sound a parley, ye fair, and surrender] [N. 35 - Third Act Tune: Hornpipe] [N. 36 - O pass not on, but stay] [N. 37 - Two daughters of this aged stream are we] [N. 38 - Passacaglia] [N. 39 - How happy the lover] [N. 40 - For love every creature] [N. 41 - Fourth Act Tune: Air] [N. 42 - Trumpet tune] [N. 43 - Ye blust'ring brethren of the skies] [N. 44 - Symphony (The fishermen dance)] [N. 45 - Round thy coast, fair nymph of Britain] [N. 46 - For folded flocks on fruitful plains] [N. 47 - Your hay it is mow'd, and your corn is reap'd] [N. 48 - Fairest isle, all isles excelling] [N. 49 - You say, 't is love creates the pain] [N. 50 - Trumpet tune Warlike Consort] [N. 51 - Saint George, the patron of our isle] [N. 52 - Chaconne]
Act the second Act the third Act the fourth Act the fifth

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