DIDO AND AENEAS
Opera.
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Libretto by Nahum TATE.
Music by Henry PURCELL.
First performance: July 1688, London.
Dramatis Personae:
Prologue's Characters | |
PHOEBUS |
unknown |
FIRST NEREID |
unknown |
SECOND NEREID |
unknown |
VENUS |
unknown |
SPRING |
unknown |
Opera's Characters | |
DIDO Queen of Carthage, also known as Elisa |
soprano |
BELINDA sister of Dido |
soprano |
SECOND WOMAN of the bedchamber |
soprano |
The SPIRIT of the sorceress |
mezzo-soprano |
AENEAS a Trojan prince |
tenor |
A trojan SAILOR |
tenor |
Nymphs.
Chorus of Nereids.
Chorus of Tritons.
Chorus of Shepherds and Shepherdesses.
The sorceress (bass).
Two witches (trebles).
Chorus of Carthaginian courtiers.
Chorus of witches.
Chorus of hunters.
Chorus of sailors.
Train of Dido, Train of Aeneas.
Phoebus rises in the chariot, over the sea. The Nereids out of the sea.
PHOEBUS
From Aurora's spicy bed,
Phoebus rears his sacred head.
His coursers advancing,
curvetting and prancing.
FIRST NEREID
Phoebus strives in vain to tame 'em,
with ambrosia fed too high.
SECOND NEREID
Phebus ought not now to blame 'em,
wild and eager to survey
the fairest pageant of the sea.
PHOEBUS, CHORUS
Tritons and Nereids come pay your devotion
to the new rising star of ocean.
Venus descends in her chariot, the Tritons out of the sea.
The Tritons dance.
[Exit.]
FIRST NEREID
Look down ye orbs and see
a new divinity.
PHOEBUS
Whose lustre does out-shine
your fainter beams, and half eclipses mine,
give Phoebus leave to prophecy.
Phoebus all events can see.
Ten thousand thousand harmes,
from such prevailing charmes,
to gods and men must instantly ensue.
CHORUS
And if the deitys above,
are victims of the powers of Love,
what must wretched mortals do.
VENUS
Fear not, Phoebus, fear not me,
a harmless deity.
These are all my guards ye view,
what can these blind archers do.
PHOEBUS
Blind they are, but strike the heart.
VENUS
What Phoebus says is always true,
they wound indeed, but it is a pleasing smart.
PHOEBUS
Earth and skies address their duty,
to the sovereign queen of beauty.
All resigning,
none repining
at her undisputed sway.
CHORUS
To Phoebus and Venus our homage wee'l pay,
her charmes blest the night, as his beams blest the day.
The Nereids dance.
[Exit.]
The Spring enters with her Nymphs
VENUS
See the Spring in all her glory,
CHORUS
Welcomes Venus to the shore.
VENUS
Smiling hours are now before you,
hours that may return no more.
[Exit Phoebus, Venus.] Soft musick.
SPRING
Our youth and form declare,
for what we were designed.
'Twas nature made us fair,
and you must make us kind.
He that fails of addressing,
'tis but just he shou'd fail of possessing.
The Spring and Nymphs dance.
Enter the country Shepherds and Shepherdesses.
SHEPHERDESS
Jolly shepherds come away,
to celebrate this genial day,
and take the friendly hours you vow to pay.
Now make trial,
and take no denial.
Now carry your Game, or for ever give o're.
The Shepherds and Shepherdesses dance.
CHORUS
Let us love and happy live,
possess those smiling hours,
the more auspicious powers,
prepare those soft returns to Meet,
that makes loves torments sweet.
The Nymphs dance.
HE
Tell, tell me, prithee dolly,
and leave thy melancholy.
Why on the plaines,
the Nymphs and Swaines,
this morning are so jolly.
SHE
By zephires gentle blowing.
And Venus graces flowing.
The Sun has bin
to court our queen,
and tired the Spring with wooing.
HE
The Sun does guild our bowers,
SHE
the Spring does yield us flowers.
She sends the vine,
HE
he makes the wine,
to charm our happy hours.
SHE
She gives our flocks their feeding,
HE
he makes'em fit for breeding.
SHE
She decks the plain,
HE
he fills the grain,
and makes it worth the weeding.
CHORUS
But the jolly nymph Thitis that long his love sought,
has flustred him now with a large mornings draught,
let's go and divert him, whilst he is mellow,
you know in his cups he's a hot-headed fellow.
The country's maids dance.
[Ouverture]
[Enter Dido and Belinda, and Train.]
[N. 1 - Scena and Chorus]
BELINDA
Shake the cloud from off your brow,
fate your wishes does allow;
empire growing,
pleasures flowing,
fortune smiles and so should you,
shake the cloud from off your brow.
CHORUS
Banish sorrow, banish care,
grief should ne'er approach the fair.
[N. 2 – Song]
DIDO
Ah! Belinda, I am prest
with torment not to be confest,
peace and I are strangers grown.
I languish till my grief is known,
yet would not have it guest.
[N. 3 - Recitative]
BELINDA
Grief increasing by concealing.
DIDO
Mine admits of no revealing.
BELINDA
Then let me speak the Trojan guest
into your tender thoughts has prest.
SECOND WOMAN
The greatest blessing fate can give,
our Carthage to secure, and Troy revive.
[N. 4 - Chorus]
CHORUS
When monarchs unite how happy their state,
they triumph at once on their foes and their fate.
[N. 5 - Recitative]
DIDO
Whence could so much virtue spring?
what storms, what battles did he sing?
Anchises' valour mixt with Venus' charmes,
how soft in peace, and yet how fierce in arms.
BELINDA
A tale so strong and full of wo,
might melt the rocks as well as you.
SECOND WOMAN
What stubborn heart unmoved could see
such distress, such pity?
DIDO
Mine with storms of care opprest
is taught to pity the distrest.
Mean wretches grief can touch,
so soft, so sensible my breast,
but ah! I fear, I pity his too much.
[N. 6 - Duet and Chorus]
BELINDA, SECOND WOMAN
Fear no danger to ensue,
the hero loves as well as you,
ever gentle, ever smiling,
and the cares of life beguiling,
Cupid strew your path with flowers
gathered from Elysian bowers.
CHORUS
Fear no danger to ensue,
the hero loves as well as you:
Cupid strew your path with flowers
gathered from elysian bowers.
Dance this chorus.
[Aeneas enters with his Train.]
[N. 7 - Recitative]
BELINDA
See, your royal guest appears,
how godlike is the form he bears!
AENEAS
When, royal fair, shall I be blest
with cares of love and state distrest?
DIDO
Fate forbids what you pursue.
AENEAS
Aeneas has no fate but you!
Let Dido smile and I'll defy
the feeble stroke of destiny.
[N. 8 - Chorus]
CHORUS
Cupid only throws the dart
that's dreadful to a warrior's heart,
and she that wounds can only cure the smart.
[N. 9 - Recitative]
AENEAS
If not for mine, for empire's sake,
some pity on your lover take;
ah! make not, in a hopeless fire
a hero fall, and Troy once more expire.
[N. 10 - Air]
BELINDA
Pursue thy conquest, love; her eyes
confess the flame her tongue denies.
A dance. Gittars chacony.
[N. 11 - Chorus]
CHORUS
To the hills and the vales, to the rocks and the mountains
to the musical groves and the cool shady fountains.
Let the triumphs of love and of beauty be shown,
go revel, ye Cupids, the day is your own.
[N. 12 - The triumphing dance]
A dance.
[Enter Sorceress.]
[N. 13 - Prelude for the witches]
SORCERESS
Wayward sisters, you that fright
the lonely traveller by night
who, like dismal ravens crying,
beat the windows of the dying,
appear at my call, and share in the fame
of a mischief shall make all Carthage to flame.
[Enter Inchanteresses.]
INCHANTERESSES
Say Beldam say what's thy will.
[N. 14 - Witches chorus]
CHORUS
Harm's our delight and mischief all our skill.
[N. 15 - Recitative]
SORCERESS
The Queen of Carthage whom we hate,
as we do all in prosperous state,
ere sunset, shall most wretched prove,
depriv'd of fame, of life and love!
[N. 16 - Chorus]
CHORUS
Ho, ho, ho, ho, ho, ho!
[etc.]
[N. 17 - Recitative]
TWO WITCHES
Ruin'd e're the set of sun?
tell us, how shall this be done.
SORCERESS
The Trojan prince, you know, is bound
by fate to seek Italian ground;
the queen and he are now in chase.
FIRST WITCH
Hark! Hark! the cry comes on apace.
SORCERESS
But, when they've done, my trusty elf
in form of Mercury himself
as sent from Jove shall chide his stay,
and charge him sail tonight with all his fleet away.
[N. 18 - Chorus]
CHORUS
Ho, ho, ho, ho, ho, ho!
[etc.]
[Enter a drunken sailor.]
A dance.
[N. 19 - Duet]
TWO WITCHES
But e're we, we this perform,
we'll conjure for a storm
to mar their hunting sport
and drive 'em back to court.
[N. 20 - Chorus]
CHORUS
(in the manner of an echo)
In our deep vaulted cell the charm we'll prepare,
too dreadful a practice for this open air.
[N. 21 - Echo dance of furies]
Echo dance [Enchantresses and Furies].
[Enter Aeneas, Dido, Belinda, and their Train.]
[N. 22 - Ritornelle]
Ritornelle.
[N. 23 - Song and Chorus]
BELINDA
Thanks to these lovesome vales,
these desert hills and dales,
so fair the game, so rich the sport,
Diana's self might to these woods resort.
CHORUS
Thanks to these lovesome vales,
these desert hills and dales,
so fair the game, so rich the sport,
Diana's self might to these woods resort.
Gitter ground a dance.
[N. 24 - Song]
SECOND WOMAN
Oft she visits this loved mountain,
oft she bathes her in this fountain;
here Actaeon met his fate,
pursued by his own hounds,
and after mortal wounds
discovered, discovered too late.
A dance to entertain Aeneas by Dido's women.
[N. 25 - Recitative]
AENEAS
Behold, upon my bending spear
a monster's head stands bleeding,
with tushes far exceeding
those did Venus huntsman tear.
DIDO
The skies are clouded, hark! how thunder
rends the mountain oaks a sunder.
[N. 26 - Song and Chorus]
BELINDA
Haste, haste to town, this open field
no shelter from the storm can yield.
CHORUS
Haste, haste to town, this open field
no shelter from the storm can yield.
[Exeunt Dido and Belinda and trains.]
[The Spirit of the Sorceress descends to Aeneas in the likeness of Mercury.]
[N. 27 - Recitative]
SPIRIT
Stay, prince and hear great Jove's command;
he summons thee this night away.
AENEAS
Tonight?
SPIRIT
Tonight thou must forsake this land,
the angry god will brook no longer stay.
Jove commands thee, waste no more
in love's delights, those precious hours,
allowed by the almighty powers
to gain the Hesperian shore
and ruined Troy restore.
AENEAS
Jove's commands shall be obey'd,
tonight our anchors shall be weighed.
[Exit Spirit.]
AENEAS
But ah! what language can I try
my injured queen to pacify:
no sooner she resigns her heart,
but from her arms I'm forced to part.
How can so hard a fate be took?
One night enjoyed, the next forsook.
Yours be the blame, ye gods! For I
obey your will, but with more ease could die.
The Sorceress and her Inchanteress.
CHORUS
Then since our charmes have sped,
a merry dance be led
by the Nymphs of Carthage to please us.
They shall all dance to ease us,
a dance that shall make the spheres to wonder,
rending those fair groves asunder.
The groves dance.
[Enter the Sailors, the Sorceress, and her Inchanteress.]
[N. 28 - Prelude]
SAILOR
Come away, fellow sailors, your anchors be weighing.
Time and tide will admit no delaying.
Take a bouzy short leave of your nymphs on the shore,
and silence their mourning
with vows of returning
but never intending to visit them more.
CHORUS
Come away, fellow sailors, your anchors be weighing.
Time and tide will admit no delaying.
Take a bouzy short leave of your nymphs on the shore,
and silence their mourning
with vows of returning
but never intending to visit them more.
[N. 29 - The sailors dance]
The Sailors' dance.
[N. 30 - Recitative]
SORCERESS
See the flags and streamers curling
anchors weighing, sails unfurling.
FIRST WITCH
Phoebus' pale deluding beams
guilding more deceitful streams.
SECOND WITCH
Our plot has took,
the queen's forsook.
TWO WITCHES
Elisa's ruin'd, ho, ho!
Our plot has took,
the queen's forsook, ho, ho!
SORCERESS
Our next motion
must be to storme her lover on the ocean!
From the ruin of others our pleasures we borrow,
Elisa bleeds tonight, and Carthage flames tomorrow.
[N. 31 - Chorus]
CHORUS
Destruction our delight, delight our greatest sorrow!
Elisa dyes tonight and Carthage flames tomorrow.
[Jack of the the Lanthorn leads the Spaniards out of their way among the Enchantresses.]
[N. 32 - The witches dance]
The witches dance.
[Enter Dido, Belinda and Train.]
[N. 33 - Recitative]
DIDO
Your counsel all is urged in vain
to earth and heaven I will complain!
To earth and heaven why do I call?
Earth and heaven conspire my fall.
To fate I sue, of other means bereft
the only refuge for the wretched left.
BELINDA
See, Madam, see where the prince appears;
such sorrow in his looks he bears
as would convince you still he's true.
[Enter Aeneas.]
AENEAS
What shall lost Aeneas do?
How, royal fair, shall I impart
the god's decree, and tell you we must part?
DIDO
Thus on the fatal banks of Nile,
weeps the deceitful crocodile
thus hypocrites, that murder act,
make heaven and gods the authors of the fact.
AENEAS
By all that's good...
DIDO
By all that's good, no more!
All that's good you have forswore.
To your promised empire fly
and let forsaken Dido die.
AENEAS
In spite of Jove's command, I'll stay.
Offend the gods, and love obey.
DIDO
No, faithless man, thy course pursue;
I'm now resolved as well as you.
No repentance shall reclaim
the injured Dido slighted flame.
For 'tis enough, whate'er you now decree,
that you had once a thought of leaving me.
AENEAS
Let Jove say what he will: I'll stay!
DIDO
Away, away! No, no, away!
AENEAS
No, no, I'll stay, and love obey!
DIDO
To death I'll fly
if longer you delay;
away, away!...
[Exit Aeneas.]
[N. 34 - Recitative]
DIDO
But death, alas! I cannot shun;
death must come when he is gone.
[N. 35 - Chorus]
CHORUS
Great minds against themselves conspire
and shun the cure they most desire.
[Cupids appear in the clouds o're her tomb.]
[N. 36 - Recitative]
DIDO
Thy hand, Belinda, darkness shades me,
on thy bosom let me rest,
more I would, but death invades me;
death is now a welcome guest.
[N. 37 - Song]
When I am laid in earth, may my wrongs create
no trouble in thy breast;
remember me, but ah! forget my fate.
[N. 38 - Chorus]
CHORUS
With drooping wings you Cupids come,
to scatter roses on her tomb.
Soft and gentle as her heart
keep here your watch, and never part.
Cupids dance.
End of the libretto.
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